Joan Mitchel and Doug Varone have poetry in their art.	In Joan Mitchell painting memories, images, and movement are re-emerging in color and shape, just like Varone dancers	The dancer's skin shows through the fabric. The transparency turns into groups of dancers that fill the space.	Dancers play with a synthetic arrangement, which adds and subtracts from a whole. It is like Joan mitchell's canvases before and after the paint moves from an idea to something tactile.	"colors are multi-valent" -Judith E. Burnstock
This is a quiet dance like a flicker in a candle light	The relationship between the dancers is close, barely touching, and then they seperate	Hand gestures	The angle is so important -Kenneth Metzner	Folded is dark piece. the two dancers are intertwined by the arms and become one.
	The finale is an illussionistic effect, I try to catch moments like this in every performance I review. Spectacular!	Opening with Recomposed
"a short burst of mangenta strikes a note too high..." -Kraus Keress	This is another moment that was really spectacular. It was as iff the dancer was holding onto something thing - the impetus energy was about to explode in a vibrating motion.	The change in style is noticably different from Joan Mitchell's paintings in 1960 than1980. The nature of painting is described as a veiled poem in the "Fresh Air School" exhibition of Sam Francis, Joan Mitchell, and Walasse Ting. -1972 Carnegie Institute Museum of art